Showing posts with label Neil Flatman. Show all posts
Showing posts with label Neil Flatman. Show all posts

Saturday, July 6, 2024

 Sugar Suggests—Mini Reviews from Sugar House Review Staff


Love Letter to Who Owns the Heavens

by Corey Van Landingham 

(Tupelo Press, 2022)


This book meets the moment with prodigious intelligence but, more importantly, with the biggest heart. Drone warfare, long-distance romance, divinity, and art all meet Van Landingham’s eye.

—Katherine Indermaur



Bedtime Stories

by Steve Langan 

(Littoral Books, 2024)


Langan's poems are an embattled form of mindfulness in the age of too much. These poems address the ceaseless noise with self-awareness—that we are all an active part of one problem or another. The book is built from lines that are a form of moving forward, and the knowledge that sentiments such as “life will never be as good / as it is right now” are both a distress call and a prayer.


—Nano Taggart


Come on All You Ghosts

by Matthew Zapruder

(Copper Canyon Press, 2010)


Zapruder is a man who (famously) believes that when you want to say a thing, say it how it is; don’t slather it in unnecessary metaphor. Digression, unvarnished memory, and an ability to step into the lives of strangers are all to be had in a collection that occasionally left me floored—as in the poem “Journey to the Past.”


—Neil Flatman


Daughter Isotope

by Vidhu Aggarwal

(The Operating System, 2021)


Daughter Isotope is like teleporting into an alternate universe. These poems contain everything an alt world should: pop culture, action-packed language and lines, fast

food, innuendo, grief, mythical and religious story, science, space, tech—and let's not forget the rainbows and unicorns. “As stars blow apart so do our virtual mutualities, so do our mutual virtualities, so do our visceral / municipalities, so do our muchacho virilities.” 


—Natalie Padilla Young


Second Empire

by Richie Hofmann

(Alice James Books, 2015)


The lyricism here is astonishing. This collection’s jewel-like poems interweave incisive observation—of urban and natural landscapes—with confessions and epiphanies alike.


—Katherine Indermaur



Like Love: Essays and Conversations

by Maggie Nelson

(Graywolf Press, 2024)


Poet and critical essayist Maggie Nelson draws from twenty years of a writing life in Like Love: Essays and Conversations. Each chapter, set chronologically, includes

reviews; conversations; and—what Nelson does best—razor-sharp reflections on queer issues, art, and love. There exist only a few, Nelson being one, who can use the word love without issuing a single cliché.


—Shari Zollinger

Tuesday, June 27, 2023

Sugar Suggests—Mini Reviews from Sugar House Review Staff


Believers and Seven Sermons from the Bacchae 

by John Tipton 

(Flood Editions, 2022)


This book intersperses new translations of the Gospel of Mark with the ancient Greek tragedy Euripides’ Bacchae and Tipton’s own poetry. Believers will change the way you think about ancient texts and broaden your perspective on time.


—Katherine Indermaur



Be With 

by Forrest Gander

(New Directions, 2018)


Forrest Gander dares to expose shortcomings and grief, revelations, and regrets after the death of his wife (poet C.D. Wright). In Be With, he takes every imaginable color of pain and hurls it through the line until, sometimes screaming and other times in reflection, it says, This is what it’s like to look out at the world in this moment. 


If you want to read a poem once and know everything it has to offer, this isn’t for you. But if you want something that dares you to suggest it might fail, you won’t regret picking up this Pulitzer Prize-winner. 


 —Neil Flatman


Arboretum in a Jar 

by Frances Donovan

(Lily Poetry Review Books, 2023)


“ … I wanna do what I want," from the last line of “Pastoral, Poughkeepsie,” encapsulates Donovan's success at writing poems that, ironically, cannot be contained. She writes a new niche by building up, breaking down, and twisting around the modern fairy tale via her intelligent lens, sharing a unique blend of intimacy and hindsight in this melodious collection. The poet reveals “complicated laces”and "coded secrets" via themes of family, sexuality, and identity, and does so the way she wants—masterfully and beyond comparison. 


—Clarissa Adkins


Our Cancers

by Dan O’Brien  

(Acre Books, 2021)


Twenty years after the events of 9/11, the dust continues to settle—in the Battery Park apartment and surrounding neighborhoods where Dan O’Brien and his wife lived and worked, in their breath and bodies, and in the brief 24 hours in which the one cancer journey concludes only to find another lying in wait. Love and nothingness curl around the enjambments and white space of these 101 terse lyric poems, each of which finds O’Brien acknowledging in new ways that “I must find / my way / to live here.”


—Michael McLane


A Book of Days 

by Patti Smith 

(Penguin Random House, 2022)


A Book of Days includes a picture and a caption for every day of the year, revealing music icon and poet Patti Smith’s solid practice of finding beauty within the mundane and imbuing both the objects and people in her world with a special kind of magic, designating all aspects of her life worthy of inspiration. With spare language and dreamy Polaroids, Patti Smith lays her ardor upon the altar. 


 —Shari Zollinger


Tender 

by Sarah Bates

(New Michigan Press, 2020)


Do you ever tire of poems forcing tidy revelations onto things/states that are defined by disorder? (Hi entropy, have a nice bow!) If the answer is yes, check out this mini-collection. Bates’ availability to the all-too-much-ed-ness of both tragedy and minutiae, and her conveyance of “always starting over”—in topic, in form, and in the act of observation—is breathtaking.


 —Nano Taggart